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From French Court Dress to Ready-to-Wear

Paris fashion grew from royal luxury trades into couture houses and ready-to-wear design. Its history is most useful as a series of changes in who clothes were made for.

From French Court Dress to Ready-to-Wear

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Louis XIV's court, the Paris couture houses and Yves Saint Laurent's ready-to-wear line mark three different moments in French fashion. Grasse adds the related perfume tradition. Together they make fashion and fragrance more than a set of shop names when you encounter them in France.

The full story

Under Louis XIV, the French court helped establish luxury goods and dress as expressions of status. Modern haute couture took shape in Paris in the nineteenth century, and couture houses became a defining part of the city's fashion identity. Chanel, Dior and Givenchy are among the names that carried that tradition through the twentieth century. Couture, however, was never the whole story. In 1966, Yves Saint Laurent launched a prêt-à-porter line, putting designer clothing into a ready-to-wear framework that differed from individually made high fashion. Later designers including Sonia Rykiel and Jean-Paul Gaultier continued to reshape the field. The perfume town of Grasse offers a related thread: scent is another part of France's luxury craft history. Looking at court dress, couture and ready-to-wear in sequence helps explain why a French fashion display can contain both painstaking one-off garments and clothes designed for wider use.

Original World content and translations, shown as supplied. Practical information may need updating.

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