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Works & objects · Room 36

Seaport with the Embarkation of the Queen of Sheba

A queen descends harbour steps towards her ship in warm morning light. Claude makes a biblical departure the occasion for an imagined classical seaport.

Seaport with the Embarkation of the Queen of Sheba

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The light spreads down the water from the rising sun, touching boats and distant buildings before reaching the busy foreground. At the right, a crowned woman dressed in red descends the steps. She is the Queen of Sheba, setting out to visit King Solomon. Claude, a French painter who spent much of his career in Rome, made this picture in 1648. The biblical journey took place by land, but he imagined a departure by sea. Classical buildings frame a harbour designed around light and balanced space rather than a faithful record of one port. Small figures prepare for travel while the queen makes her measured entrance. Compare their activity with the broad, calm water. The story gives the landscape a purpose without filling all of it with action. The painting was commissioned by the Duke of Bouillon, whose name appears on a step. It later belonged to John Julius Angerstein and entered the National Gallery among the first pictures bought in 1824. An imagined journey became part of the new public collection.
Before you arrive

See Seaport with the Embarkation of the Queen of Sheba in Room 36.

2026-10-28 / 2026-11-11

World estimates; allow extra time for admission and security. This is not a live availability check.

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