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Works & objects · Room 32

The Supper at Emmaus

Two disciples recognise the risen Christ over supper. Caravaggio makes their discovery burst into the space before the painting through hands, elbows and a precarious fruit basket.

The Supper at Emmaus

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One disciple throws his arms wide, while the other seems about to push himself out of his chair. The seated man at the centre blesses the meal. What looked like an ordinary supper has become a moment of recognition. In the Gospel story, two followers meet Christ after his resurrection but fail to know him. Only when he breaks and blesses bread at Emmaus do they understand who has joined them. Caravaggio, an Italian painter, chose that instant for this picture of 1601. The disciples have worn clothes and weathered faces. Christ appears young and beardless, while the innkeeper stands beside the table without sharing their reaction. Strong light picks out each face and gesture against the dark background. Notice how the nearest elbow and outstretched hand seem to push towards us. The basket of fruit projects over the table’s edge, making its weight feel uncertain. These ordinary objects and bodies give a religious revelation the physical presence of an encounter taking place within reach.
Before you arrive

See Supper at Emmaus in Room 32.

2026-10-28 / 2026-11-11

World estimates; allow extra time for admission and security. This is not a live availability check.

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