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Bernini models a chair for St Peter’s

Bernini’s working materials connect small models with a large basilica commission.

Bernini models a chair for St Peter’s

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Clay, straw, iron and cane belong to the making of the figures associated with St Peter's Chair. Gian Lorenzo Bernini, who lived from 1598 to 1680, used working models in a process that led to a monument of marble, stucco and gilded bronze.

Heads before bronze

The Vatican collection's preparatory models include heads of Athanasius and John Chrysostom, two early Christian theologians, and figures of angels. Their materials belong to the work of shaping figures before the final bronze. A model preserves a stage in a commission rather than the material appearance of the finished monument.

A project with assistants

Bernini and his assistants made the chair monument for the apse of St Peter's Basilica in 1658–1666, under Pope Alexander VII. Sculpture and architectural setting came together in the final project. The models let the museum's collection connect with the process behind that separate basilica setting.

Follow the connection

Keep the working models and the finished St Peter's Chair distinct. The basilica has its own visiting arrangements. Bernini's story here concerns how a large commission passed through smaller material studies and the work of several hands.

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