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Michelangelo in the Sistine Chapel

The ceiling and altar wall show Michelangelo returning to the chapel decades apart.

Michelangelo in the Sistine Chapel

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The Sistine ceiling and the Last Judgement came from different commissions. Michelangelo began the ceiling under Pope Julius II in 1508 and completed it in 1512. He painted the altar wall in 1536–1541. Keeping the dates apart lets you see two projects within the same chapel.

Two programmes

Nine scenes from Genesis run along the ceiling's centre, with prophets, sibyls and Christ's ancestors around them. The altar wall gathers saints and other figures around Christ at the Last Judgement. One programme spreads through painted architectural divisions overhead. The other fills the wall with figures rising, descending and gathering around the central group.

Two possible likenesses

In Raphael's School of Athens, the seated writer representing Heraclitus is identified with Michelangelo's features. In the Last Judgement, the skin held by St Bartholomew is often read as Michelangelo's self-portrait. These are different kinds of identification, a face given to an ancient thinker and a proposed self-image within a later religious painting.

Prepare before you enter

Read about the two commissions outside the Sistine Chapel. Inside, keep silent and put your phone away. Remember the centre of the ceiling and the centre of the altar wall as two places to begin looking.

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