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How a royal palace became a history museum

Some rooms preserve a royal setting. Others were rebuilt to tell a national history in paintings. Learn to recognise the museum within the palace.

How a royal palace became a history museum

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In the Gallery of Great Battles, enormous paintings run along a space that once contained royal apartments. In the Coronation Room, Napoleon dominates a former guard room. These interiors belong to a major change in what Versailles was for. Under King Louis-Philippe, the former royal residence became a museum of French history, opened in 1837.

Making space for a national story

Louis-Philippe came to the throne in 1830. His museum assembled kings, armies and later rulers within a history of France. The Gallery of Great Battles was a central part of that project. Architects removed divisions between earlier apartments to create a long gallery for the paintings. The sequence celebrates victories from different periods. Its paintings are historical representations, many made long after the events they depict. A gallery that places successive regimes along one route is also making a choice about which events deserve space. Look at the dates of the events separately from the dates when the pictures were painted.

A palace emptied of its household

When the royal family left in October 1789, the palace lost the household around which daily life had been organised. During the Revolution, furniture and other contents were sold or dispersed. The building survived, while successive governments considered how to use it. Louis-Philippe chose to make it a museum rather than his residence.

Restoring a royal interior

Other projects have recovered rooms from before the museum conversion. The ground-floor apartments of Louis XV’s daughters were restored and refurnished over several decades. The apartments of Louis XV’s son, the Dauphin or heir to the throne, underwent another major restoration before reopening in 2022. The present palace therefore includes preserved decoration, reconstructed furnishings and rooms deliberately changed for the museum. Mercury’s bed arrived under Louis-Philippe, while the queen’s bed and fabrics were recreated from historical evidence. When you look around a room, let the building, decoration and furniture have their separate histories.

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